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SUBJECT • LANDSCAPES • CHARACTERS • ACTORS • SEX • TECHNIQUE • REALITY & THE VIEWER • DOUBTS |
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TECHNIQUE I'm more interested in the tonal values of the shots than in where I put the camera. What counts is the continuity, because continuity is pacing. Images can make rhythm. And the camera position is secondary to rhythm. I often discover possibilities when editing. When I prepare my film, I am not aware of the different stages. Everything comes together during editing. When I'm shooting and editing, I work at getting back the sentiment, at breaking down the screenplay, which remains purely theoretical. |
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FLANDRES - a film by Bruno DUMONT - Visa d'exploitation 109.285 |
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